Volatility. Uncertainty. Complexity. Ambiguity. It’s a military term that has taken off in leadership management circles the past few years, but I think it’s also an apt description for this time of living through a world-wide pandemic. I’ve never been great at ambiguity and uncertainty, but I’ve accepted this is where things are for now and perhaps a lot longer than any of us can guess.
I’ve realised looking around my house there are certain themes of freedom, travel and movement represented, which is probably why it’s hard to stay at home when there’s a compulsion to move forward (just like our national symbols the kangaroo and the emu) and feel free. I think it’s why I love birds and what they symbolise.
I was very taken with Cai Guo-Qiang’s Murmuration installation of 10,000 porcelain birds last year as part of the Terracotta Warriors exhibition at the NGV. And I wasn’t the only one given the gallery was able to successfully fundraise to secure his largest ever porcelain artwork as part of its contemporary art collection. Closer to home, the Freedom Bird project created by local artist Helen Platania invites children, adults, crafters and artists alike to download a 3D bird for a collaborative, community art project.
Drive-in cinemas look set to re-open in coming months but with that innovation too around drive-in live music and theatre shows, similar to what is being done in Europe as social distancing measures continue. Might need to rug up over winter but I think it’s a great idea to keep the music going!
Mr Rosanna and I saw Icelandic musician Olafur Arnalds at the Melbourne Recital Centre on Monday night. It was our first visit to the Centre and we loved it – we met my little sister Cat for a drink at Blondie bar outside where I spied singer Clare Bowditch at another table (and who we later saw at the gig) before moving indoors into the amazing and beautiful wood-panelled interior concert space (pictured below).
We were treated to a journey that was cinematic, orchestral, electronic and ambient all at the same time. Besides Olafur Arnalds on piano/keyboard, there was also a drummer and strings including cello, viola and violins. The atmospheric set showcased a full sound and light show (below) with a solo encore performance by Arnalds that ended in total silence. It was an incredible experience and he has had an interesting musical apprenticeship listening to classical music as a child (my favourite song of his is Lag Fyrir Ommu dedicated to his grandmother) before being in a punk rock band in his younger years (in some ways similar to his compatriot Icelandic female singer Bjork who has always been a little bit different).
Summer in the city is exciting – as Mr Rosanna and I walked to the Centre we were treated to a live tango performance in the Victorian Arts Centre forecourt before walking past animated light boxes outside the National Gallery of Victoria which is currently showing the newly opened Escher X Nendo: Between Two Worlds exhibition. We exited the city close to 11pm and I couldn’t believe the amount of people still walking the streets – Melbourne really has become a bustling 24-hour metropolis.
A couple of things to mention today – the Wild About Melbourne market is coming to Rosanna Village tomorrow and my yoga friend Susie will be selling her hand poured soy candles tomorrow at the market – a good one in time for Christmas. If you’re a fan of gin which a number of my colleagues are – the Xmas Gin Market is being held at The Craft and Co in Collingwood on Sunday. My Uncle Peter has also worked for Yarra Valley-based Four Pillars gin and is a fan.
There’s only a couple of weeks to go before Christmas but I still have my foot flat to the floor with work and other commitments. I hope you get a chance to wind down as we approach the closing weeks of 2019 and start to reflect on the year that’s been.